| 1944年 |
Li Xiaoke was born in Jin'gangpo, Chongqing, Sichuan Province on Dec 20, 1944;To finance his birth, his father Li Keran held a special exhibition of ink paintings in Chongqing;
Chongqing became the rear area under KMT rule during the War of Resistance against Japanese Aggression, where *** relics of the Forbidden City, businesses and factories, *** and educational institutions and people of various walks of life were gathered;
Upon an invitation of Chen Zhifo in 1943, Li Keran served as a lecturer of Chinese Painting at Chongqing National Art College and lived together with Fu Baoshi and Lin Fengmian in Jin'gangpo of Chongqing;Later, he knew ZouPeizhu;
In 1944, Li Keran was married with Ling Fengmian as the host;His son Xiaoke was born in the winter;
|
| 1946年 |
On Nov 1946, Li Xiaoke moved to Beijing with his parents and settled down at Xigongyuan Thoroughfare, Dongcheng District, Beijing;Upon an invitation of XuBeihong, Li Keran served as an associate professor of Beijing National Art College;
In 1946, he moved from Chongqing to Shanghai via many stops with his parents and stayed there for [ ] months;The first photo of Li Xiaoke was taken at Shanghai Guangming Photo Studio;
|
| 1947年 |
Qi Baishi produced a painting New Year’s Fish of two feet long for Xiaoke with an inscription "A 2-year-old Baby" on it;
In spring 1947, recommended by XuBeihong, Li Keran began to follow Qi Baishi and Huang Binhong as a student;
|
| 1948年 |
Li Xiaoke moved with his parents to A 2, DayabaoHutong, Dongcheng District, Beijing;
A 2, DayabaoHutong is located at the cross of Jianbao Street and 2nd Ring Road, Dongcheng District,Beijing;The small courtyard composed of about 25 rooms was used as dormitory of Beijing National Art College founded by XuBeihong and as residence of family members of the staff of China Central Academy of Fine Arts after China’s liberation;In such common Beijing courtyard once lived Li Kuchan, Li Keran, Ye Qianyu, Dong Xiwen, Wang Chaowen, Zhang Ding, Sun Meilan, Huang Yongyu, Wu Guanzhong, Zhu Danian, Wu Zuoren, Cai Yi, Li Ruinian, Chang Renxia, Yan Han, and HouYimin etc;A 2, DayabaoHutong is a venue where China’s art masters once lived together one after another only in a special stage of history, exerting special significance and influence on the development of China’s fine arts in the 20th century;
|
| 1956年 |
His ink painting Sails was awarded in an International Exhibition of Children’s Paintings held in London, UK;
|
| 1958年 |
His ink painting North Sea was awarded in many exhibitions of children’s paintings held at home and abroad;
|
| 1960年 |
He was enrolled to the Affiliated Middle School of China Central Academy of Fine Arts to study essential fine arts and advocated to plan, edit and publish 78 Longfu Temple;
|
| 1962年 |
He joined the army;When he served at the No;4582 Army, Tangshan, he became a backbone worker, an advanced member of fine arts and an all-round soldier;He made outstanding achievements during his training as a new solider, in particular in rifle practice;
A headline of People Daily once reported his story in a passage entitled "A Little Artist in Rifle Practice";
In 1962, Chiang Kai Shek "fought against the Mainland" and cross strait situation got tense, so the nation first recruited new soldiers from universities of art;
Li Xiaoke and six other students who studied at Grade 2 of the Affiliated Middle School of China Central Academy of Fine Arts joined the army;During the army "huge contest" period, their training and discipline were rather stringent;
|
| 1966年 |
when the "Cultural Revolution" broke out, Li Keran was shocked and overthrown, so Li Xiaoke had to demobilize back home in 1968;
|
| 1968-1977年 |
He was demobilized to the Blacksmith Workshop of Beijing Combustion Engine General Factory and worked there as a blacksmith for almost ten years;
During that period, he insisted on his fine arts publicity and creation, and was appraised as an "Advanced Worker" in the factory;
|
| 1974年 |
He traveled to Penglai, Shandong and produced sketches with famous Shandong artists Liu Baochun and Zhang Dengtang;
|
| 1978年 |
He assisted his father Li Keran to produce sketches and give lectures in Mt;
Huangshan and Jiuhua, and began to follow his father to study landscape painting systematically;
Everything recovered to normal gradually following the end of the "Cultural Revolution";
Li Keran planned to produce sketches in Mt;Huangshan and Jiulong and Zhangjiajie, and give lectures in Wuhan, but because of heart attack, his trip to Zhangjiajie was cancelled;
During that period, Li Xiaoke produce lots of sketches which became a starting point for Li Xiaoke to be back to his ink painting career;
|
| 1979年 |
He began to work at Beijing Fine Art Academy;
He attended "Beijing Flower Painting" Exhibition (Beijing Working People’s Culture Palace);
He produced sketches in Changsha, Xiangxi, Jishou, Zhangjiajie and Guilin from June to July 1979;
|
| 1980年 |
He was involved in photography work of three teaching videos including Landscape Painting Art of Li Keran, Oxen Painted by Li Keran and Painting the Landscape of Motherland;
He attended "Beijing Exhibition of Top 10 Contemporary Artists" (held at the National Art Museum of China and Nanjing Art Museum).
|
| 1980-1983年 |
He further followed his father to study creation of Chinese Painting and assisted his father in creation, liaison and publishing affairs;
|
| 1983年 |
He followed his father to Japan attending an "Exhibition of Chinese Paintings of Li Keran" and visited famous Japanese artists including Ikuo Hirayama, Kaii Higashiyama and Kayama Matazo;
He attended "Beijing Landscape Painting Exhibition" (held at the Art Museum of China Central Academy of Fine Arts, Beijing), which laid a foundation for Li Xiaoke as a landscape artist to always concern creation of Beijing theme and formed a topic "ink homeland";
|
| 1984年 |
He attended "Chinese Painting Exhibition of Top 8 Mountains" (held at the National Art Museum of China, Beijing);
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| 1985年 |
He attended to prepare construction of "Old Residence of Li Keran" in Xuzhou;
|
| 1986年 |
He planned and organized an "Exhibition of Chinese Paintings of Li Keran" (held at the National Art Museum of China, Beijing), which was the sole individual exhibition of Li Keran held at the National Art Museum of China after 1959;
|
| 1986-1987年 |
He was enrolled to an advanced training program of Luchen figure paintings of the Department of Chinese Painting, China Central Academy of Fine Arts;
Exactly against the background of "1985 Fad" of fine arts circle, western modern art was closely followed and such cutting-edge techniques as abstraction, deformation and deconsas ink painting was again doubted to be of any sense of age;Among fierce collision of oriental and western culture, Li Xiaoke was enrolled to an advanced training program of Luchen figure paintings of China Central Academy of Fine Arts;
|
| 1987年 |
He was enrolled to a short-term advanced training program of figure paintings sponsored by a famous Japanese artist Kayama Matazo;
He dealt with preparations for construction of "Xiyuan" Studio on Cuiwei Road for his father, and was involved in its design, building and decoration;
He traveled to Wangjinzhuang with Yao Mingjing and produced sketches;
|
| 1988年 |
For 45 days, he traveled to the origin of Yellow River with famous photographer ZhengYunfeng to take photos and set up a stone tablet with an inscription "Water of Yellow River moves out of heaven to the ocean straightforwardly without returning" written by his father Li Keran;
Since then, he has traveled to Tibet for over 30 times;And later he began to create ink paintings of "Marks of Snow-capped Tibet" series and prints of "Marks of Tibet" series;
|
| 1989年 |
In Aug 1989, he accompanied his father to the Foreign Experts Sanatorium of Beidaihe to rest and produced a huge work Observing Sunrise beside Bohai Sea of six meters long for the hotel;Li Keran wrote an inscription for the work and spoke highly of it;
At a short-term advanced training program of "Modern Composition" of the Central Academy of Art & Design;
Traveled to south Gansu to produce sketches;
His father Li Keran passed away in the morning Dec 5;
|
| 1990年 |
Traveled to the origin of Yangtze River and Guerra Danon on foot with ZhengYunfeng to produce sketches for 11 days;
Traveled to Sichuan to produce sketches;
Traveled to south Gansu to produce sketches;
Attended an "Exhibition of Chinese Contemporary Ink Artists" (in Thailand)
|
| 1991年 |
Planned and edited A Full Collection of Calligraphy and Paintings of Li Keran including collections of landscape, figure, calligraphy and sketch (published by Tianjin People’s Fine Arts Publishing House);
Traveled to Tibet along Lhasa, Shigatse, Mt;Everest, Nyalam, Zham, Dingri and Nyingchi to produce sketches;
Traveled to south Gansu to produce sketches;
Traveled to Jiuzhaigou and Huanglong to produce sketches;
Set up Collotype Workshop in Xiangshan, Beijing to support operation of the old residence of Li Keran in Xuzhou and then set up "Oriental Art Photo Company" in Xuzhou as its chairman;
|
| 1992年 |
Traveled to south Gansu to produce sketches during Spring Festival;
Traveled to south Gansu again with his wife Liu Ying in June to listen to the sermon of the 7th Living Buddha Gongtangcang and talked with him;
Planned and organized an "Exhibition of Art of Li Keran" (held at the National Art Museum of China, Beijing);
Held a special exhibition of "The Mysterious Tibet – Photograph Exhibition of Li Xiaoke" in Japan to celebrate the 20th anniversary of establishment of Sino-Japan diplomatic relation;
|
| 1993年 |
Planned and organized "Boundless Landscape – Tour Exhibition of Art of Li Keran" (at National Museum of History, Taipei);
Attended a "Joint Ink and Sculpture Exhibition of Li Xiaoke, Li Geng, Li Baolin and Yang Shuqing" (Kaohsiung Culture Center of Taiwan, Caves Gallery of Taipei, and Taichung Culture Center);
Held a "Photograph Exhibition of Li Xiaoke on His West Journey" (at the National Art Museum of China, Beijing);
Planned and organized "Exhibition of Art of Li Keran" and "Seminar of Art of Li Keran" (Jiangsu Art Museum, Nanjing);
Traveled to Ali, Tibet along Shigatse, Coqen, Gerze, Gêgyai, Shiquan River, Zanda, Mt;Kailash, Pulan, Lhatse and Saga to produce sketches;
Traveled to south Gansu to produce sketches;
Traveled to Mt;
Huangshan to produce sketches;
|
| 1994年 |
Traveled to south Gansu to produce sketches;
|
| 1995年 |
Attended "First Tour Exhibition of the Landscape Painting Society" (held at Shenzhen Art Museum, Guangdong Province);
Traveled to south Gansu to produce sketches;
Traveled to Lhasa with his wife Liu Ying in September to celebrate the 30th anniversary of founding of Tibet Autonomous Region, and traveled to Lhasa, Namco, Naqu, Biru, Suo County, Baqên, Dingqing, Leiwuqi and Chamdo to produce sketches;
|
| 1996年 |
Traveled to Shigatse, Lhasa and Namco to produce sketches;
Traveled to south Gansu to produce sketches;
Held a "Photography Exhibition of Li Xiaoke and Zhang Bingxian" (in Xuzhou, Jiangsu);
Photographers Wang Wenlan and Chen Changfen attended its opening ceremony;
|
| 1997年 |
Attended "Beautiful Landscape – Third Tour Exhibition of the Landscape Painting Society" (at Shenzhen Art Museum, Guangdong Province) with his works Guge Dynasty, Pure Land, Autumn, Winter;
Traveled to south Gansu to produce sketches;
Set up Creation Gallery at Dongyi Street, Ritan, Chaoyang District, Beijing;
Co-edited Paintings of Li Keran in Chinese, English, French and German languages (published by Foreign Languages Press);
|
| 1998年 |
Cooperated to produce a large Chinese painting Brilliant China as a gift of the Central People’s Government to Hong Kong to celebrate its return;
Attended "The Third International Biennial Ink Exhibition of Shenzhen" (at Shenzhen Art Museum, Guangdong Province) with his work Shade;
Traveled to south Gansu to produce sketches;
Produced an ink painting work Summer of 136x68cm;
Attended "Fourth Tour Exhibition of the Landscape Painting Society" (at Shantou Fine Art Academy, Guangdong Province) with his works Mountain Lake, Pure Land and Autumn;
Planned and organized an "Exhibition of Chinese Paintings of Li Keran" (held at Shanghai Art Museum, Liu Haisu Museum and Baogang Steel Art Center);
Involved to plan and organize an "Exhibition of Landscape and Oil Paintings of Contemporary China" jointly held by China Oil Painting Society and Li Keran Art Foundation (at the National Art Museum of China, Beijing, Guangdong Museum of Art, Guangzhou and Yanhuang Art Museum, Kaohsiung);
A conferencewas held to mark the founding of Li Keran Art Foundation at the Great Hall of People, Beijing on Nov 18;
Li Xiaoke was involved to prepare the foundation and once served its vice-secretary-general, vice-chairman and chairman;
|
| 1999年 |
Held a "Tibet Landscape Photography Exhibition of Li Xiaoke" (at the Creation Gallery, Beijing);
Attended an "Invitation Exhibition of Mountain Arts, Culture and Education Foundation" (held at Kaohsiung Museum of Fine Arts, Taiwan) with his work Summer;
Organized and planned "The White Orient – Exhibition of Art of Li Keran" (held at the National Art Museum of China, Beijing) and edited, published an album The White Orient (at Guangxi Fine Arts Publishing House);
Involved to plan and organize an academic seminar "The White Orient – Contemporary Value and Future Significance of Art of Li Keran" (held at China National Academy of Painting, Beijing);
Planned and organized "Songs of Land – Ink Exhibition of Li Geng";
Traveled to south Gansu to produce sketches;
|
| 2000年 |
Planned and organized a "Century Exhibition of Ink Art of Li Keran" (at National Museum of History, Taipei and Kaohsiung Museum of Fine Arts);
Organized and planned "The White Orient – Exhibition of Art of Li Keran" (at Guangdong Museum of Art, Guangzhou);
Attended "Ink and Metropolis - The Second International Biennial Ink Exhibition of Shenzhen" (at Shenzhen Art Museum, Guangdong Province) with his works Spring Breeze outside the Wall and Old Houses in an Old Capital;
His work Summer has been collected by the National Art Museum of China;
Traveled to south Gansu to produce sketches;
Involved to plan, design and make the graveyard of Li Keran which was built at Beijing Babaoshan Revolutionary Cemetery on Dec 31
|
| 2001年 |
Attended a "Chinese Painting Exhibition of a Century" (held at the National Art Museum of China, Beijing) with his work Summer;
Traveled to south Gansu to produce sketches;
Held "West China Landscape Photography Exhibition of Li Xiaoke" composed of 120 photos (at Yanhuang Art Museum, Beijing);
Planned, organized and attended an "Exhibition of Works of Li Keran and His Son" (at the old residence of Li Keran in Xuzhou);
Planned and organized an "Exhibition of Works of Huang Runhua" (held at the National Art Museum of China, Beijing), and edited and published an album Huang Runhua;
Attended "Green Breeze – Painting Exhibition of Concerning Olympics and Homeland" (held at the National Art Museum of China, Beijing) with his works Spring Breeze outside the Wall and Old Houses in an Old Capital;
Planned and organized "Impressive Appearance – Art of Li Keran" (held at Hong Kong Museum of Art);
Attended an "Exhibition of Famous Artists Painting Beijing" (held at China Millennium Monument, Beijing) with his works Migration, Hutong and The Summer Palace;
|
| 2002年 |
Attended "Gate to Generals – Exhibition of Works of Beijing Fine Art Academy" (held at the National Art Museum of China);
Attended an exhibition of works of the Landscape Painting Society "Beautiful West China – Beautiful Guizhou" (held at Guizhou Provincial Museum);
Involved to plan and organize an "Exhibition of Art of Li Keran" (held at Xihu Art Museum, Hangzhou);
His works Lanes of Beijing and Co-existence have been collected by Beijing Fine Art Academy;
He began to receive 3-week treatment at the General Hospital of PLA after he was ill in early October;
|
| 2003年 |
Involved to plan and organize an "Exhibition of Works of Zhang Yusheng and Li Keran" and "Academic Seminar of Chinese Painting Art of Li Keran" (at Deoksugung Palace Branch of Modern Art Museum of Seoul, South Korea);
Held "Ink Homeland • Exhibition of Works of Li Xiaoke" (at the Creation Gallery, Beijing);
Attended "Beijing Charm Works Exhibition" (held at the National Art Museum of China, Beijing);
His works Charm in Summer Shicha Lake, Rain in Anhui and Longevity Hill and Kunming Lake of the Summer Palace have been collected by Beijing Fine Art Academy;
Traveled to south Gansu to produce sketches;
Traveled to Chomo, Saga, Gamba and Goddess Peak of Tibet to produce sketches;
|
| 2004年 |
Planned and organized an "Exhibition of Works of Li Keran, Li Xiaoke and Li Geng" (in Yantai, Shandong Province);
Attended "Beijing Charm Works Exhibition" (held at the National Art Museum of China, Beijing) with his works Palace Snow and Symbols of History;
Attended the "Tenth National Exhibition of Fine Arts, China" (in Beijing, Dalian and Guangzhou) with his work Old Houses in an Old Capital winning a bronze award;
Attended "Celebration of the Tenth Anniversary of Memorial Hall Federation of Renowned Chinese Calligraphers and Painters" (in Shanghai);
Concerned Tibetan fine arts, extended support to hold various exhibitions and seminars, established "contemporary Tibetan painting school";
Planned and organized "Colored Ribbon on Snow-capped Mountains – Invitation Exhibition of Contemporary Tibetan Paintings" (held in the National Art Museum of China, Shanghai Art Museum, Guangdong Museum of Art, Guan Shanyue Art Museum, Shenzhen and Sydney, Australia) and edited an album Colored Ribbon on Snow-capped Mountains;
Visited Ireland Modern Art Museum with Chinese Artists Delegation for communication ;
Involved to donate posters, other publications and daily life photos of Li Keran concerning war against Japanese aggression to Marshal Zhang’s Mansion Museum, Shenyang;
Traveled to south Gansu to produce sketches;
His work Symbols of History has been collected by Beijing Fine Art Academy;
Managed to recreate almost 10,000 photos taken during the travel to Tibet to integrate print language and practical photography, assign new vitality to original works, and initiate creation of print of "Marks of Tibet" series;
An "advanced training program of landscape painting of Li Xiaoke" was set up at Beijing Fine Art Academy where he led his students to Shidu producing sketches;
|
| 2005年 |
Planned and organized an "Exhibition of Sketches of Li Keran" (held at Shenzhen Art Museum, Guangdong Province and Shanghai Art Museum);
Planned and organized "Boundless Landscape – Exhibition of Landscape Paintings of Li Keran" (held at the National Art Museum of China, Beijing);
Held "Ink Homeland – Ink Exhibition of Li Xiaoke" (held at the National Art Museum of China, Beijing);
Held "Tibet – Lasting Memory" Photography Exhibition of Li Xiaoke (held at the National Art Museum of China, Beijing);
His works Homeland, Hutong, and Lanes in Beijing have been collected by the National Art Museum of China;
His work Homeland has been collected by the Palace Museum;
His work Temple of Heaven has been collected by Beijing Fine Art Academy;
Involved to plan and organize "Nature and Man – Second Exhibition of Landscape and Oil Paintings of Contemporary China" jointly held by China Oil Painting Society, Academy of Chinese Painting and Li Keran Art Foundation (at the National Art Museum of China, Beijing);
Attended "Chinese Painting • Painting China – Hong Kong" painting practice and large exhibition;
Involved to plan and organize "First Li Keran Art Festival of China" (including "Exhibition of Works of Li Keran", "Art Career of Li Keran and Exhibition of His Works Concerning Anti-Japanese War", "Love Hometown – Exhibition of Calligraphy and Paintings of Xuzhou Artists", "The White Orient – Theatrical Performance";
and "Braveness and Soul" Art Forum);
Visited Greece during China Art Week with China Artists Delegation and attended an "Exchange Exhibition of Charm of Beijing as an Old Capital" (in Greece);
Attended an "Exchange Exhibition of Famous Ink Artists across Taiwan Strait" (at the Art Museum of Beijing Fine Art Academy);
Attended "Famous Chinese Artists – Trip to India" painting practice and large exhibition;
Attended "The Second International Biennial Exhibition of Fine Arts of Beijing, China" with his work Homeland;
Attended a "Large Exhibition of Calligraphy and paintings to Celebrate the 60th Anniversary of Triumph of Chinese People’s War against Japanese Aggression" (held at the Military Museum of the Chinese People’s Revolution, Beijing) with his work Ink China;
Produced a work Green China for the Macau Office of the International Department, Central Committee of CPC ;
Set up "Li Xiaoke Art Workshop" composed of five members including Ding Changlin, Zhang Xin, Liu Qinzhou, Wu Tiancheng and Huang Xingcheng based on the earlier advanced training program of landscape painting, and expanded later;
Traveled to Shidu with his students to produce sketches;
Traveled to south Gansu to produce sketches;
|
| 2006年 |
Planned and organized "Landscape Painting of Lis – Nationwide Tour Exhibition of Works of Li Keran and His Son" and published an album Landscape Painting of Lis;
Attended an "Exchange Exhibition of Famous Ink Artists across Taiwan Strait" organized by Cross Strait China Culture Communication Foundation (at the Dr Sun Yat-sen Memorial Hall, Taipei, and Art Museum of Beijing Fine Art Academy);
Attended "Chinese Painting • Painting China – Xinjiang" painting practice and large exhibition in Kashgar, Xinjiang;
Produced Dark Stone and Falling Pine for Diaoyutai State Guesthouse;
Attended "Beijing Charm Works Exhibition" (held at the National Art Museum of China, Beijing);
His work Homeland has been collected by Beijing Fine Art Academy;
Traveled to south Gansu to produce sketches;Traveled to Shidu and Hongcun, Anhui Province with his students to produce sketches;
|
| 2007年 |
Planned and organized a series of activities "A Century-old Keran – To Celebrate 100th Birthday of Li Keran" (held at the National Art Museum of China, Beijing), edited and published 19 volumes of albums and books;
Planned, organized and attended an "Exhibition of Li Keran and Contemporary China Landscape Painting" (held at the National Art Museum of China, Beijing);
Involved to plan, organize and attend "Second Li Keran Art Festival" activities and exhibitions (held at Li Keran Art Museum, Xuzhou);
Attended "Beautiful Landscape – Painting Exhibition to Celebrate 70th Anniversary of China Renmin University and 20th Anniversary of Landscape Painting Society" (held at the Century Museum of China Renmin University, Beijing);
Attended "40 Artists in 40 Years – Exhibition of Works of Contemporary Famous Chinese Painting Artists" (Art Museum of Guangdong);
Attended an "Landscape Painting Exhibition of Beijing Charm Works Exhibition" (held at the National Art Museum of China, Beijing);
Attended "One World – Art Exhibition of Depicting the United Nations by Chinese Artists" (held at the National Art Museum of China, Beijing);
Attended "Fourth Exhibition of Excellent Works of Academies of Fine Arts of China" with his work Snow in Lunar January;
Produced a landscape painting Boundless Landscape of 4m x 4m for the hall of new building of United Front Work Department and jointly produced another landscape painting Brilliant Landscape.;
Served as president of Huangshan Academy of Calligraphy and Painting and promote construction of Huangshan Art Museum;
Traveled to south Gansu to produce sketches;
Traveled to Shidu, Huangshan and Hongcun of Anhui Province, and Guoliang of Henan Province with his students to produce sketches;
His work Yunmeng Mountain has been collected by Beijing Fine Art Academy;
Produced Beijing Olympics as a gift to Roger, President of IOC, by CCTV;
Produced Snow in Lunar January as a gift to China News Center of Chinese Olympic Committee;
|
| 2008年 |
Held "Ink Homeland – Ink Exhibition of Li Xiaoke" (held at the gallery of the Official Provisional Municipal Council of Macau);;
His work Great Changes has been collected by the Macau Government;
Attended "Inspiration on Plateau – Invitation Exhibition of Contemporary Tibet Theme Paintings" (held at the Art Museum of China National Academy of Painting);
Visited UK for exchange with delegation of the Landscape Painting Society;
Attended a "Painting Exhibition to Celebrate 20th Anniversary of the Landscape Painting Society of China Artists Association" (held at the Art Museum of China National Academy of Painting);
Attended "Sino-Korea Modern Fine Arts Exhibition" (held at the Art Museum of Beijing Fine Art Academy);
His work Today of an Old Capital has been collected by Beijing Fine Art Academy;
Traveled to Auhui to produce sketches and attended an academic sketch seminar of "landscape in south and north China";
Traveled to Huangshan and Hongcun of Anhui Province, Guoliang of He nan Province, and Taihang Mountain with his students to produce sketches ;
Visited Russia with Chinese Famous Artists Delegation for travel and sketches;
Traveled to south Gansu to produce sketches;
Planned and organized "Appointment with Spring – To Celebrate 10th Anniversary of Founding of Li Keran Art Foundation" (held at the Great Hall of People, Beijing);
Employed as a director of the Third China Overseas Friendship Association;
|
| 2009年 |
Favored his mother ZouPeizhu to donate calligraphy and paintings of Li Keran, planned and organized "Honest Man is Wise Man – Exhibition of Works of Li Keran Donated by ZouPeizhu Leads Li Xiaoke, Li Zhu and Li Geng" (held at the Art Museum of Beijing Fine Art Academy), and edited an album Honest Man is Wise Man;;
Traveled to south Gansu to produce sketches;;
Attended a "Calligraphy and Paintings Exhibition to Celebrate Dr;Sun Yat-sen in Mainland China, Hong Kong and Taiwan" (held at Dr;Sun Yat-sen Memorial Hall, Macau);
Attended "Art and Me – Sino-Italy Contemporary Art Exhibition 2009" (held in Shenzhen and Rome);
Attended "Brilliant Beijing" Exhibition of Fine Arts (held at the National Art Museum of China);
Attended "Beautiful Landscape – Seventh Tour Exhibition of the Landscape Painting Society" (held at the National Art Museum of China);
Attended "Landscape in Northeast China – Exhibition of Sketches in Northeast China" (held at Liaoning Provincial Museum);
Traveled to Shenyang, Huangshan and Hongcun of Anhui Province, Guoliang of Henan Province, and Shanxi with his students to produce sketches;
His work Autumn has been collected by Liaoning Provincial Museum;
Produced huge work of Beijing theme Ink Homeland in early summer;
Held "Ink Homeland – Ink Exhibition of Li Xiaoke" (held at the Dr;Sun Yat-sen Memorial Hall,Taipei);
Involved to plan and organize "Third China (Xuzhou) Li Keran Art Festival" (in Xuzhou, Jiangsu Province);
Attended a "Special Exhibition of Calligraphy and Paintings to Celebrate 30th Anniversary of Deng Xiao***’s Visit to Mt;Huangshan" (in Huangshan, Anhui Province);
His work Ink Homeland was awarded an Excellent Culture Work Award to "Celebrate 60th Anniversary of Founding of New China" granted by Beijing Federation of Literary and Art Circles
|
| 2010年 |
Planned, organized and attended "Love Hometown Landscape – Exhibition of Works of Li Xiaoke Art Workshop" (held at Huizhou Museum, Guangdong Province);;
Traveled to south Gansu to produce sketches;
Attended "In Memory of Landscape – Landscape Painting Exhibition of Five Artists of Beijing Fine Art Academy" (held at the Art Museum of Beijing Fine Art Academy);
Attended "National Exhibition of Excellent Fine Arts of the Ninth China Art Festival";
Attended an "Exhibition of Fine Arts to Celebrate 60th Anniversary of Beijing Federation of Literary and Art Circles" (held at the National Art Museum of China, Beijing);
Planned and organized "Luck with Art – Creation and Social Activities of ZouPeizhu" and founding of the Art Museum of Li Keran Art Foundation, edited and published a book Luck with Art – Creation and Social Activities of ZouPeizhu;
Involved to plan and organize "Add the Finishing Touch – World of Li Keran" (Figures) (held at the Art Museum of Beijing Fine Art Academy), and edit an album Add the Finishing Touch – World of Li Keran (Figures);
His print Window was awarded an Excellent Little Print Award in the First China (Guangzhou) International Book Labels and Little Prints Biennial Exhibition 2010 ;
Traveled to Huangshan and Hongcun of Anhui Province;;
and Wangmang Hill of Shanxi Province with his students to produce sketches ;
Involved to plan, design and initiate construction of Huangshan Art Gallery;
Employed as a director of the Second Association of Tibetan Culture Preservation and Development, China;
|
| 2011年 |
Involved to plan and organize a large exhibition "Art of Li Keran" to celebrate the opening of the new building of National Museum of China (held at the National Museum of China);
Traveled to Tibet and held exchanges and dialogs with local artists to prepare for "Fascinating Tibet - Invitation Exhibition of Tibetan Contemporary Paintings" in February ;
Planned and organized "Fascinating Tibet - Invitation Exhibition of Tibetan Contemporary Paintings" (held at the Cultural Palace of Nationalities, Beijing), edited and published an album Fascinating Tibet;
Traveled to Tibet again to produce sketches to prepare for "Marks of Tibet – Print Exhibition" in July;
Planned, organized and attended "Love Hometown Landscape – Exhibition of Works of Li Xiaoke Art Workshop in Shanxi" (held at the Art Museum of Shanxi, Taiyuan);
Held "Marks of Tibet – Print Exhibition of Li Xiaoke" (at the Art Museum of Beijing Fine Art Academy);;
Donated 99 prints to Beijing Fine Art Academy;;
Traveled to Huangshan and Hongcun of Anhui Province, and Wangmang Hill of Shanxi Province with his students to produce sketches;
Attended "Oriental Sunrise – Exhibition of Works of Famous Chinese Artists" (held at Shaanxi Province Art Museum);
Attended the First Exhibition of Fine Arts "Harmonious Tibet" and served as a referee (held at the Military Museum of the Chinese People’s Revolution, Beijing and Shanghai Folk Art Museum);
Produced a landscape painting Green Mountain, Pine and Cloud for the office of the Great Hall of People;
Served as an honorary president of China Academy of Youth Calligraphy and Painting;
Involved to plan and organize "No Sweet without Sweat – World of Li Keran" (Sketches) (held at the Art Museum of Beijing Fine Art Academy) and edit, publish a book No Sweet without Sweat – World of Li Keran (Sketches);
Served as an honorary president of China Academy of Youth Calligraphy and Painting
|
| 2012年 |
Held "Marks of Tibet – Print Exhibition of Li Xiaoke" (at the Guan Shanyue Art Museum, Shenzhen) (Feb 9 – 19,2012);
Donated 10 prints to Guan Shanyue Art Museum;
Attended "Lingnan Invitation Exhibition of Li Jiashan – A Creation Process from Sketch to Mood" (held at Lingnan Museum of Fine Art);
Attended an investigation activity of "Four Treasures of the Study" sponsored by CPPCC;
Awarded with an Annual Social Contribution Award appraised by Beijing Fine Art Academy;
Produced a huge work Distant Echo with Tibet theme of 10m long;
Produced a huge work Mt;Huangshan is Unique with Mt;Huangshan theme of 7m long;
Traveled to Huangshan of Anhui Province and Wangmang Hill of Shanxi Province with over 30 students to produce sketches;
Employed as a member of the Fourth Chinese Painting Art Commission of China Artists Association;
Planned, organized, edited and published an album What One Needs is the Soul – Li Keran (Apr 2012) to celebrate 105th anniversary of Li Keran;
Employed by the State Council as a research fellow of Central Research Institute of Culture and History (June 2012);
Held "Ink Homeland – Ink Exhibition of Li Xiaoke" (held at the National Art Museum of China, Beijing) (July 11 – 20, 2012);
Attended "Humanistic Beijing – Invitation Exhibition of Chinese Landscape Paintings" (held at the National Art Museum of China, Beijing) (Aug 29 – Sept 3, 2012) with his work Snow;
In August, visited the United States and attended a debut ceremony of Here is Beijing in ICN and a "Chinese Painting Exhibition Showing Changes of Beijing";During that month, many times he visited the Metropolitan Museum of Art, Guggenheim Museum, the Museum of Modern Art, New York, and the National Gallery of Art, Washington etc, and took over 8,000 photos of classical works from Renaissance to modern and postmodern art, in particular those of impressionism and various styles;
Traveled to Tibet to produce sketches with United Front Work Department (Aug 19 – 29, 2012);
Planned, organized and attended "Love Hometown Landscape – Exhibition of Works of Li Xiaoke Art Workshop" (held at the Li Kuchan Memorial Hall in Gaotang, Shandong Province) (Oct 12 – 16, 2012);
Planned, organized and held "News Briefing of the Debut of Li Keran Art Foundation Homepage" (at Jinglun Hotel, Beijing) (Oct 25, 2012);
Involved to plan and organize "Listen to the Zen in Breeze – World of Li Keran" (Cattle Herding) (held at the Art Museum of Beijing Fine Art Academy) and edit an album Listen to the Zen in Breeze – World of Li Keran (Cattle Herding) (Dec 5, 2012 – Jan 9, 2013);
Planned, organized and attended "Love Hometown Landscape – Exhibition of Works of Li Xiaoke Art Workshop" (held at Guangzhou Baiyun International Convention Center) (Dec 6 – 10, 2012);
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| 2013年 |
Planned, organized and attended "Love Hometown Landscape – Exhibition of Works of Li Xiaoke Art Workshop" (held at Guancheng Art Museum, Dongguan, Guangdong Province) (Jan 9, 2013 – Feb 24, 2013);
Donated an ink work Spring Rain in an Anhui Village to Guancheng Art Museum;
Attended the "Fourth National Exhibition of Chinese Paintings" (held at Jiangsu Art Museum) with his work Mount Huangshan overshadows the Five Mountains (May 16 – 25, 2013);
Traveled to Tibet through Yunnan-Tibet Highway for the first time via Deqen, Mangkang, Zuogong, Ranwu, Bomi and Nyingchi to Lhasa at last to produce sketches and photograph Meili Snow Mountains, Mingyong Glacier, Old Salt Well, Peach Blossom Valley and other sceneries;In addition, he photographed saint mountains and lakes from Lhasa to Shigatse and Ali, experienced the heaviest snowstorm since 1975 and collected materials for his later art creation in the unique snow-capped Tibet during 21 days;(Mar 9 to Apr 1, 2013);
Traveled to Wuyuan and Shangrao of Jiangxi Province, and Mt;Huangshan with his students to produce sketches (Apr 2013);
Attended "Trip to the Frontiers – Exhibition of Works of Minorities Theme of Beijing Fine Art Academy" (held at the Art Museum of Beijing Fine Art Academy) with his work Mountain Soul 2013 and print Time;
Visited Australia and attended "Harmonious Tibet – Tour Exhibition in Australia" (May 28 – June 6, 2013) and served as a referee;
Held "Ink Homeland – Ink Exhibition of Li Xiaoke" and "Marks of Tibet – Print Exhibition of Li Xiaoke" (held at Xuzhou Museum of Art, Jiangsu) (June 20 – July 2, 2013);
Attended "On the ‘Spot’ of Age – National Exhibition of Sketches" (held at the Military Museum of the Chinese People’s Revolution, Beijing) (July 30 – Aug 9, 2013);
Held "Ink Homeland – Ink Exhibition of Li Xiaoke" (held at Guangdong Museum of Art, Guangzhou) (July 19 – Aug 1, 2013);
Attended "China Dream • Love Hou Kong – Calligraphy and Paintings Exhibition of Famous Chinese Artists in Macau" (held at the Forum de Macau) with his works Snow in Beijing, Beijing after Rain, Clear Up after Rain and Rain in an Anhui Village 2013 (Aug 15–22);
Attended "One Chinese Heart • China Dream" Exhibition of Fine Arts and Calligraphy (held in Xiamen) with his work Beijing after Rain (Sept 19 – 26, 2013);
Traveled to Wuhai with his students to produce sketches (Oct 2013) ;
Attended "Ink Charm of Han Dynasty Style – Calligraphy and Paintings Exhibition of Li Keran and Pengcheng Painting School" (held at Jiangsu Art Museum) with his work Cloudy Mountains and Summer (Oct 22 – 29, 2013) ;
Attended the "Fourth National Calligraphy and Paintings Exhibition of Hui Nationality" (held at the Yinchuan Art Museum of Yinchuan Culture and Art Center, Ningxia) with his work Splash Water to Clouds of Mt;Huangshan (Oct 25–29);
Attended "Chinese Culture across the Nation – Chongqing" with his work Splash Water to Clouds of Mt;Huangshan (Nov 18);
Employed as a director of the eighth China Artists Association (Nov 26, 2013);
Involved to design and organize "Iron and Cloud – World of Li Keran" (Calligraphy) (held at the Art Museum of Beijing Fine Art Academy) and edit an album Iron and Cloud – World of Li Keran (Calligraphy) (Dec 5, 2013 – Jan 3, 2014);
Held "Marks of Tibet – There • They • Images of Xiaoke" Exhibition of Donated Works at China University of Mining and Technology (held at the College of Art and Design, China University of Mining and Technology, Xuzhou) (Dec 11, 2013 – Jan 6, 2014)
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| 2014年 |
Attended "Ink Charm of Han Dynasty Style – Fine Arts Exhibition of Li Keran and Pengcheng Painting School in Beijing (held at the National Art Museum of China, Beijing) with his works Cloudy Mountains, A Village in Anhui, and Summer (Mar 19 – 26);
Traveled to Wuyuan of Jiangxi Province, and Mt;Huangshan with his students to produce sketches (Apr 15 – 25, 2014);
Attended the Fourth Chinese Painting Festival and the Seventh China Culture and Art Demonstration Fair (in Weifang, Shandong Province) with his works Clear Streams through Dark Stones and published books Beijing after Rain, Mountain Soul and Clear Streams through Dark Stones (Apr 18 – 22) ;
Attended an "Invitation Exhibition of Sino-Malaysia Fine Arts and Calligraphy Exchange – To Celebrate 40th Anniversary of Sino-Malaysia Diplomatic Relationship" (in Malaysia) with his work Beijing after Rain and published a book South Anhui after Rain 2013 (June 27 – July 2) ;
Attended "Ink Charm and Book Fragrance – Calligraphy and Paintings Art Exhibition of Li Xiaoke and Sino-US Artists Exchanges" (held at Nan Hai Arts Center, San Francisco, US);
Attended "Literature and Ink – First China Exhibition of Poems, Calligraphy and Paintings" (held at the National Art Museum of China, Beijing) with his work Silent Valleys in Green Mountains (Aug 7 – 13) (published);
Attended "Hooked to Ink – Third Invitation Exhibition of Contemporary Famous Chinese Painting Artists" (held in Macau) with his works Snow in Beijing and Impression of South Anhui (published);
Attended "Lead and Go Forward – Literature Exhibition of Chinese Landscape Painting over 30 Years" (held at Poly Art Museum, Beijing) Aug 8 – 12 (published an album);
Attended "One Chinese Heart • China Dream" Exhibition of Famous Fine Arts and Calligraphy Artists with his work Beijing after Rain;
Participating in the activity of "celebrating the 60th Anniversary of the Peaceful Liberation of Tibet with the display of 100 thangka paintings" in Lhasa and making a speech and communication at the high-level forum;
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